There's something pretentious about reviewing a live performance. The right to critique implies some sort of expertise in the area. I don't claim that expertise, but I'm going to critique anyway. Nine days ago, I attended a student run performance of Godspell. This play belongs to an almost forty year old musical theater tradition and taking it on was daring. I knew, however, that the man behind the curtain, director Ben Harrison, had a passion for the musical that gave him permission to do anything he wanted with the work.
Ben opened the show by stating that he hoped the audience would see the character of Jesus in a way that he had never been portrayed before. "He is not a preacher being a pulpit, he is not a fictional or mythical figure, He is real." From that moment on, the audience was enraptured by the story these ten characters told.
Godspell tells the story of the Gospel according to Matthew. Because much of Jesus' teaching in this book is through parable form, the play follows suit. It also includes much of the passion narrative - the last supper, prayer in the Garden of Gethsemane and the crucifixion and Resurrection. The timely nature of this play cannot be ignored. It brings the viewer into a wonderful preparation for Holy week and a re-affirmed understanding of the sacrifice made on their behalf. At least that's how it was for me.
The construction of the cast was incredibly diverse. The unity among them displayed on stage is true evidence of the grace of God at work with them in this. Let's start with the character of Jesus played by Greg Smith. He was perhaps the most unexpected element of this production. His love-able personality captivated the audience as soon as he stepped on stage. This is not an easy role to conquer. Greg held it expertly as he portrayed the anguish of the night before his death. Other moments of musical captivity were "Day by Day" - sung by Alexandria, "Save the People" - sung by Brett Mitchell and "All Good Gifts" - sung by Lydia-Ann Levesque. This one in particular, gave chills and provided the audience with an incredible moment of true worship.
"By My Side" - sung by Rachel Hunter and Warnesia Travasso, is my favorite in the line up and was so epic as their voices moved and blended together. They owned this piece so well, it was absolutely stunning. Marianne Barker, known for her theatrical comedy, did not disappoint. This was also a small vocal debut, as she sang "Learn They Lessons Well". I'd definitely say it worked for her. It is also worth noting how well the height difference between Michael King (who has got to stand at little more than five feet) and Greg Smith (6'10) was played on brilliantly.
I came away from this production more filled than I could have possibly expected and was singing the songs for days following. There was such a human element about it. Let me summarize by saying that there was nothing perfect about this thing. But nobody came for perfection - they came for honesty. This was beyond achieved. Perhaps this emphasizes that God doesn't ask for perfection, but willingness and honesty. Thank you, cast and crew of Godspell 2010. You have led me to a greater understanding of the love and grace of the teachings and sacrifice of Christ, as well as the relationship he longs for with each of us.
Statements from the audience:"The highlight of my year." - Professor Jim Paulson
"Phenomenal." -Professor Joel From
"I can't even believe it." - Pastor Blayne Banting
"This is the first time I've ever enjoyed hearing the stories of Jesus." - High School student
I would like to conclude by pointing out my stamp on the production. After Judas nails Jesus to the cross, ribbons of blood flow from his hands. That was so my idea.
